To potentially combat the domination of Marvel and DC in the film market, there has recently been a ‘boom’ in films adapted from mystery thriller novels such as Gone Girl, The Girl on the Train, Child 44 and Before I Go To Sleep. The latter seemingly fell by the wayside as Gone Girl came out around the same time as Before I Go To Sleep.
Memory loss being at the centre of a film is always difficult to convey and has only rarely come out excellently, the best example being Momento. Before I Go To Sleep has memory loss at the very centre of this tale, as Nicole Kidman takes on this challenging role of Christine.
Christine (Nicole Kidman) is a forty-year old woman who wakes up every morning not remembering anything. (Think 50 First Dates, but way more serious)
She wakes up in strange surroundings, and next to a strange man. Instantly she freaks out, only to be assured by the strange man that he is her husband, Ben (Colin Firth). He also informs Christine that she was in a car accident ten years earlier, which resulted in her memory loss.
It’s always difficult to construe memory loss convincingly on film, as the two most popular films to contain this are Momento and 50 First Dates and they are very, very different films. Nicole Kidman and Colin Firth shoulder this immeasurable task of convincingly act it out.
Not only would Kidman and Firth have to act out such a tough task, but the way Rowan Joffe has to keep the story interesting enough without ruining it within the first ten minutes. Having the inclusion of Dr. Nasch at this early stage and the small-scale cast keeps the story at the centre of the film, and of course interesting as it plays immediately on Christine’s suspicions about everyone.
Dr. Nasch manages to convince Christine that he has been treating her for some months on her accident. He gifts her a video camera to keep a video diary and helping her remember information from the day previous. As the days and the treatment continues, Christine learns more, including that it wasn’t a car accident, but rather a brutal attack where she was left for dead.
As the film bores into it’s hour and a half runtime, Joffe keeps dripping other essences into the film and making us second-guess and triple-guess our assumptions made initially. And of course, what is a mystery thriller without a tense sense or two? Joffe plays out one of these scenes beautifully, gripping you to the very core.
I believe this comes down the culmination of the score, the setting and of course the acting from Kidman and Firth. Before I Go To Sleep manages to sustain the effectiveness of this memory loss through Nicole Kidman, but the surrounding Kidman with Firth and Mark Strong make up an excellent small-scale cast.
Unfortunately for Before I Go To Sleep, Gone Girl outgunned it as they came out at similar points, yet it didn’t deserve to be as it manages to hold its own for the 90 minute runtime. Joffe creates a wonderfully tense piece of filmmaking, which is only helped on by the intimate cast of Kidman, Firth and Strong.
Before I Go To Sleep is deserving of being included in more conversations when compared to the likes of Gone Girl and The Girl on the Train (two films seemingly being compared with each other at this moment in time) as its beautifully tense and expertly acted out by the cast. Joffe manages to expertly dangle this tense thriller involving memory loss throughout the story with precision and still making it an enjoyable film to watch.